HIGH-POLY MODELING
(MAYA / ZBRUSH)
GIBSON LES PAUL
Created in: 3ds Max.
Textures: Photoshop.
Final Render: Mental Ray.
Textures: Photoshop.
Final Render: Mental Ray.
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FOLIAGE
(UDK)
Shown in real-time. Modeled in 3ds Max, textures in Photoshop.
(Including Grass)
(Including Grass)
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[Click image for larger view]
Extinct
(UDK)
Everything here is real-time. Models created in 3ds Max. The tree sculpted in ZBrush; most normal maps were created in NDo2.
In future society, rare exotic plants are being extinct that are vital to our ecosystem.
Ecologist try to preserve the life of these plants and trees.
Extinct was created by relying only on a collection of images.
Here is a reference sheet with images that helped guide the art direction for this asset.
[Click image for larger view]
Here is a reference sheet with images that helped guide the art direction for this asset.
[Click image for larger view]
Sci-Fi Hall
(UDK)
I created a high poly scene in 3ds Max then baked everything down to the low resolution models. textures in Photoshop. Used NDo2 to enhance the normal maps. Everything here is real-time.
San Francisco City Hall
Modeled, lit, and rendered in 3ds Max using Mental Ray. Textures in Photoshop.
Jungle
(UDK)
Jungle scene in real-time. Responsible for all aspects except the
fire. Models created in 3ds Max. Textures in Photoshop and ZBrush.
2012 Demo Reel
"And assessing points to nowhere, leading every single one. A dewdrop can exalt us like the music of the sun,
And take away the plain in which we move, and choose the course you're running."
And take away the plain in which we move, and choose the course you're running."